In journalism, a good image can make a good story great. The
right image can captivate a reader. It can hold them hostage for those few
moments necessary to inspire interest in a well-developed article. But I can’t
help but notice that good news photos are becoming harder and harder to come
by.
Roaming around the internet I often feel bombarded with eye
catching images proceeded by pithy headlines. Intrigued, I click the link to
the “full story” only to find a story that was not exactly what I anticipated.
Too often the images meeting our eyes on the home page of our favorite news
outlets are common and unenticing. Even more frequently these images have
little or nothing to do with the actual content of the article itself.
In recent years there has been a tendency for news
organizations to use “stock” photography to bolster the appeal of their
article. In fact many of the headlining images we see are directly from
creative commons and image collections such as iStockphoto, Getty Images, and
Corbis Images. There are many web sites dedicated to providing easy access to a
wealth of images to ease such rapid production of news the consumers expect
such as Photo Archive News.
They are easy to spot with their nondescript depictions of
every day material. Open up any browser homepage, MSN, Yahoo!, even Google News, and these types of images are proudly displayed, luring visitors to stop
and look for a moment at the headlines below.
Although many of these images are well crafted visually they
usually bear very limited relevance to the specifics details being discussed.
They are common and ordinary, but just interesting enough. Nothing specific. Some images
are so generic I feel a little duped.
Many of the images are meant to be representative of ideals.
For example, the LA Times used a stock photograph of a dog looking out
a window, while reporting their recent story “Dogs accidentally poison veterinarians”. Presumably, this image is being used symbolically to provide a reference
of a dog. Obviously we all need a reference of a random dog to understand this
story better, right?
The LA Times is not alone in infecting journalism with these
fake news photos. Not even the New York Times has been able to fight the disease.
But why?
The benefit for news producers is clear, decently intriguing
photos without having to hire a photographer to cover a story. Even better it
allows small news organizations who cannot afford to have staff photographers,
or to hire freelancers, to compete with the major news distributors, at least
online. But what about their journalistic responsibility to consumers?
I don’t need a generic image posted with a story to
understand what the story is about. I want to see specifics! When I look up the
same story on seven different news sites I don’t want to see the same darn
image, or one that looks just like it, everywhere. I want that dog. Those vets.
I want multiple different angles of Lady Gaga’s latest fashion feature, not the
same two photos recycled and re-posted on every single site. I want real combat
images not stock shots from three years ago with soldiers that aren’t even in
the service anymore.
I want variety.
We deserve variety because that’s what journalism is about,
finding an angle. If the stories must have an angle, the images that go with
them must too. If the story has to be up to date, the photos do too. Otherwise
there’s no point.
You raise some very interesting issues about the increasing role that stock photos play in illustrating news stories and how this tendency to provide the still image version of B-roll in news coverage undercuts the importance of the iconic images that document history in singular fashion in the larger history of photojournalism.
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